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THE STRAND MAGAZINE Interviews (Excerpts) David Suchet is known to millions of people around the world for his superb portrayal of Agatha Christie s Belgian detective, Hercule Poirot, in London Weekly Television s series Poirot, which lasted for six years from 1988 to 1994. Mr. Suchet, born in London in 1946, decided on an acting career at the age of
eighteen as a member the National Youth Theatre of Great Britain. He then studied for three years at the London Academy of Music and Dramatic
Arts, eventually joining the Royal Shakespeare Company in 1973. After a five year hiatus Mr. Suchet has reprised the role of Hercule Poirot in
two new films by A&E, The Murder of Roger Ackroyd, which aired in February, and
Lord Edgware Dies, which will air on June 4th of this year. SUCHET: Well, it all began when I was at school. When I was 16 or 17, I played Macbeth in the school play. I d done other plays at school but following Macbeth, which was particularly well received, my English teacher, a man called Joe Storr whom I remember very well I m still in touch with him, actually advised that I would maybe enjoy joining a group of young theatre people called the National Youth Theatre of Great Britain, which I thought was a great idea. So I went to audition and then joined them and did one or two plays for them and enjoyed acting very much. Now, at that time, I was also hoping to be a doctor for my real career, but my mathematics was not good enough. TSM: Yes, your father is a doctor. SUCHET: That s right. He s retired now. I remember the moment I wanted to become an actor. I had just finished the last performance of Bartholomew Fair by Ben Jonson at the Royal Court Theatre in London. (My goodness, those years ago the National Youth Theatre could play the Royal Court!) I had picked up my make-up bag and went to the stage to watch all the scenery coming down, and as I saw the scenery coming down and the light bars coming down and the empty auditorium and started remembering what it was like being on that stage, I thought the atmosphere was so incredible that, at that moment, standing there, I decided that my life should be in the theatre and in show business. It s a magical world and a world that is very important to people. The arts are vital and necessary to people for a well-rounded life. So that s where I wanted to be, and that s where I am. TSM: I really enjoy the Poirot series and I understand The Murder of Roger
Ackroyd is coming up on February 13th. What was that like to do because you
stopped acting in the part for five years and now you re back in the role? TSM: There is also another Poirot film which A&E has done. SUCHET: Yes, there is another one. We did two. The next one is called Lord Edgware Dies. That was lovely too and it s a great fun one. Actually, ironically, Lord Edgware Dies is another title for Thirteen at Dinner. And the funny thing about that is that I filmed Thirteen at Dinner with Peter Ustinov years before. I was Japp possibly the worst performance of my career. TSM: Did you imagine at that time that one day you d play Poirot? SUCHET: No I didn t. I didn t really know Poirot. I sort of knew him I thought he was Peter Ustinov, really. But when it came my way I was absolutely thrilled to bits. TSM: How and when were you approached to play him? SUCHET: I was approached the year before we actually started shooting which was
1987. We started shooting in 1988 and it was first on television in England in
1989. So I got to know Poirot in 1987 during my research and that s quite a long
time ago, isn t it? SUCHET: Yes. She saw me in Blott on the Landscape, which was a BBC adaptation of Tom Sharpe s novel, and she thought I d be her next Poirot. But it was when she saw me with Peter Ustinov as Japp and remembered Blott on the Landscape that she really decided. TSM: So how did you prepare for the part of Poirot? Did you have any coaching for the accent? SUCHET: No, I did it all myself. What I did was, I had my file on one side of me
and a pile of stories on the other side and day after day, week after week, I
plowed through most of Agatha Christie s novels about Hercule Poirot and wrote
down characteristics until I had a file full of documentation of the
character. And then it was my business not only to know what he was like, but to gradually
become him. I had to become him before we started shooting. I worked very hard
on finding the right voice. I was desperate that he should sound French, although he is Belgian, because everybody believes that he is French. I wanted
to move my voice from my own which is rather bell-like and mellow and totally
unlike Poirot. I wanted to raise that voice up into his head because that s TSM: Do you find that you have any similarities to Poirot such as tidiness? SUCHET: Looking around my apartment at the moment, yes, I m an unbelievably tidy person. I think I have to own to that. TSM: Which episode would you say you enjoyed working on the
most? TSM: You have an excellent supporting cast with Philip Jackson as Japp and Hugh Fraser as Hastings and Pauline Moran as Miss Lemon. What is it like to work with them? SUCHET: They are all terrific, actually, and they are all in the next one the
whole family comes together in Lord Edgware Dies. It is wonderful when we are
all together. I think it makes it really rich. And they are so good to work
with. They understand their characters just as fully as I understand mine, so we
could do anything with them now. TSM: I remember you as Mr. Verloc in The Secret Agent, which I enjoyed seeing. SUCHET: I m so pleased. I loved doing that. Verloc in The Secret Agent was a
great challenge for me and a very difficult role, but I really enjoyed that very
much. SUCHET: Yes. When there is an adaptation of a novel, what I always try to do is
serve the original writer. For me that s the way to go. That s my mission, if
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